One last show for me on this Wednesday at Ottawa Fringe…making it a slow, slackerly three-show night, because even I need a break sometimes. Or, okay, I just need even more time at the beer tent, but that’s sort of a break. Of course, somehow today is the day I’m running dangerously late in getting my writeups done, because I roll like that. Ironically. I roll ironically.
Irony or no, I still had one more show to dig into that night, ROYAL JELLY from Book of Why, at good old Arts Court theatre. Written by Kara Crabb (whose THE STILLBIRTH appeared at club Saw few months back as part of Red.Collective’s OFF THE CUFF series), the show stars Crabb herself, Noa Nussbaum and Norah Paton as a trio of harem widows in a post-apocalyptic bunker, squabbling over the usual things…who gets the bigger share of their late husband’s heart for dinner, who gets to marry little Jacob jr. when he grows up, which one of them will be eaten next…you know, the usual.
Looking and sounding at first appearance like a scene out of an old Tom Baker episode of Doctor Who (that is SUCH a compliment from me, you guys, trust me), and featuring live onstage musical accompaniment from Kara-Lis Coverdale, this is a show that’s delightfully weird to describe. A life or death sci-fi premise is played out in full-on camp mode by three very talented actors…Crabb as the imperious head wife Gal-Pal chews scenery and slinks about like nobody’s business. Nussbaum is a hoot as wide-eyed Pap-X, earnest and devoted to a fault. And Paton as pragmatic Suffagir, ever scheming, arguing, and occasionally seducing, is likewise great to watch in action. This is a slickly made show with great costumes, set and sound that makes a point of making fun of itself, and that makes for a damn fun viewing. Congrats to Book of Why on a memorable debut…and yeah, that baby was kinda creepy. Peace, love and soul,
Side note: the show does run a bit shorter than its stated 60 minute run time, so you might be able to schedule an earlier after-show in if you plan wisely!